William Fitzpatrick - advanced violin expert
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What are natural and fingered harmonics

Discover one of the most fascinating violin techniques

Released on December 4, 2013

  
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Comments/Questions/Requests:

Jennifer Philogene on April 5, 2014 @2:11 pm PST
Hi Professor

I assume that it is you playing the Meditation from Thais. It sounds GREAT. What make of violin are you playing with. I am a new violin student.

Thank you
reply
Fabrizio Ferrari - moderator, on April 6, 2014 @8:16 am PST
Hi Jennifer, Prof. Fitzpatrick is currently not available to answer questions for personal issues, so I will try to answer instead. The answer to your question is YES: that recording is from Prof. Fitzpatrick recorded repertoire. Isn't it a great performance indeed? Thank you again.
Patricia * VSM MEMBER * on December 9, 2013 @10:37 am PST
Dear Professor Fitzpatrick:

I am learning to play a passage two-perfect-octave (2P8) above the written note with a harmonic touch.

I understand that I have two options: one will be play the entire passage in first position changing strings (with fingers #1 and #4) and open strings (with finger #3); or, the second option is to go up/down on the same string, changing to high positions, but remaining on the same string.

My question is, -In your opinion, which of the two options is the one you will use and recommend?

Thank you.

Patricia
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William - host, on December 9, 2013 @12:23 pm PST
Hi In theory either should work. Do note however that the higher you go on one string the more difficult it becomes to get a clear emission. With this in mind I would suggest staying in first position as much as you can. Hope this is helpful!!!
Heidrun Kath * VSM MEMBER * on December 6, 2013 @4:07 am PST
Hello Maestro, Thanks for replying. Until now I've had fingered harmonics in the too hard basket, but feel like I want to try. I have the VSM score. In the Quasi lento section, there is the melody (the black notes) and the harmonics above. Which finger do you use for which? Forgive me my ignorance, I have never learned this.I love natural harmonics!
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William - host, on December 9, 2013 @12:25 pm PST
Hi! Whenever its an open sting at the base its 0/3 and when its a non open string note it would be 1/4. Hope this helps!
Heidrun Kath * VSM MEMBER * on December 14, 2013 @3:21 am PST
Thank you, Maestro. I will see whether this is going to work on MY violin!
Heidrun Kath * VSM MEMBER * on December 5, 2013 @2:15 am PST
In the harmonics section of the Czardas by Monti, with which finger do you play the black notes, and with which the harmonic notes? I now understand the theory, but not quite the application.
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William - host, on December 5, 2013 @9:31 am PST
Hi and thanks for the question.I need to know more however to answer correctly. What do you mean by "black notes"? For reference, any open strain is fingered 3/0 and and non-open string 4/1. Please let me know more to answer correctly! Thanks
Tudor * VSM MEMBER * on December 4, 2013 @3:09 pm PST
Nice video! I actually played Bartok's Romanian Dances, because I'm from Romania and I was curious if they would resemble the folk music in my country, being known that Bartok is hungarian. They're not like the traditional dances, they're rather an adaptation for a more approachable piece of music. That part you're talking about was really tricky, but I mastered it with hours of practice.

Thank you for your tutorials!
reply
William - host, on December 5, 2013 @9:31 am PST
You're welcome!
Maria * VSM MEMBER * on December 4, 2013 @2:10 pm PST
Thank you! That was such a clear lesson- it's really a question of simple mathematics if you think about it!
Shirley Gibson * VSM MEMBER * on December 4, 2013 @11:07 am PST
So clear! As last time, Mr. Fitzpatrick begins by stating the most basic facts, then build on this and by the end, voila! We thoroughly understand things we didn't know we didn't! What a good teacher. Thank you!
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William - host, on December 4, 2013 @12:01 pm PST
Merci! I do try to be clear and it is nice to know that this effort is appreciated!
Carole Silva * VSM MEMBER * on December 4, 2013 @5:28 am PST
I am having trouble approaching Vivaldi's long measure repeats in his Seasons.
reply
William - host, on December 4, 2013 @12:00 pm PST
Hi! Could you be a bit more specific about where in the Season's you are referring? And what exactly your issue with this is? Want to help, just need to know a bit more! Thanks!
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