Can't you see the music? Please, scroll down the page...
Click the buttons below to transpose your score, substitute instruments, play, change tempo and print your music. Need help or want to learn more? Watch the videos!
If your music doesn't appear above after a few seconds, install the Scorch plug-in from either the Scorch website or directly by downloading its installer here(IMPORTANT: If your computer tells you that this plug-in can "harm" your computer, please ignore that warning and click on "Keep" or "Proceed" to complete the installation. Nothing will harm your computer with the Scorch plug-in installation which is 100% safe). You can also Watch a Video about how to install it.
Be sure to download the Scorch installer first, then quit your browser before begin its installation, and then re-launch your browser to get back to this page. (to make it easy, your web browser must be closed during the Scorch installation)
Beethoven's "Fur Elise" (Bagatelle in A minor, WoO 59), one of the most well-known works in all of classical music, is a piece shrouded in mystery. As many scholars have pondered since the work's publication in 1865, you, too, may be wondering, "who was Elise?"
Given that Fur Elise was not published within Beethoven's lifetime (1770-1827), he left us few traces of his intentions for the piece or of Elise's identity. Some scholars believe that Fur Elise was originally intended for Therese Malfatti, a woman to whom Beethoven unsuccessfully proposed marriage in 1810. Ludwig Nohl, who discovered the manuscript in the 1860s, is thought to have misread the dedication written in Beethoven's own hand, and mistook "Therese" to read "Elise." Still, other scholars speculate that Elise was actually Elisabeth Röckele, a well-known soprano with whom Beethoven held a close friendship, and who eventually married Beethoven's contemporary, Johann Nepomuk Hummel (1778-1837). Yet others suspect that Elise was no specific woman at all, but rather a term of endeerment used during Beethoven's time, much as we might use the term "sweetheart" today.
Fur Elise, usually lasting less than 5 minutes, is in rondo form that follows an A-B-A-C-A pattern; the highly-recognizable A section often being taught alone as a pedaling exercise to beginning piano students. While technical mastery of the piece can be achieved by many, it is in the hands of the true artist that the expressiveness of the work, with its many crescendos and decrescendos, ritardandos and accelerandos, shines through. With the work's intimate, legato, and dance-like qualities, coupled with its simple, elegant melody, perhaps there is no better piece than Fur Elise to invite even the most casual listener into the world of classical music.
Whoever Elise may have been, there is no doubt that Beethoven penned this work with deep sentiments in his heart, and with a love tempered by darkness and unanswered longing. Perhaps Beethoven never even intended for Fur Elise to make its way into his published repertoire; and we will never know how Beethoven would truly feel about Fur Elise being played in fast-food restaurant commercials or in dance clubs with strobe lights and techno-beat accompaniment. Regardless of his intentions, Beethoven, through this enduring, mysterious work, once again weaves his way into the depths of our hearts, souls, and collective being.
With the inclusion of suggested fingerings, this digital edition of Fur Elise is perfect for beginner-to-intermediate pianists. Besides the ability to print the sheet music from the pdf file, this edition of Fur Elise also includes Scorch files (for transposition to another instrument), helpful videos, MIDI, and MP3 audio files.