Robert Estrin - piano expert

How to play the Ocean Etude Op. 25 No. 12 by Chopin

Learn dynamics in depth

In this video, Robert shows you how to play the famous Ocean Etude by Chopin.

Released on April 3, 2013

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DISCLAIMER: The views and the opinions expressed in this video are those of the author and do not necessarily reflect the views of Virtual Sheet Music and its employees.

Video Transcription

Hi, I'm Robert Estrin and this is LivingPianos.com asking the question, how many levels of soft are there? By the end of this video, I'm going to reveal that to you.

I'm going to demonstrate something to you really interesting. So many times you have pieces of music that are written to be played softly or even very softly for example, Clare de Lune.

Clare de Lune is written pianissimo at the beginning and stays pianissimo for a long time and I'm going to play the beginning of Clare de Lune. I'm going to play it all just as quietly as possible. The very end of the little section I'm playing there is a little crescendo de crescendo which I will do but the rest of it I'm going to keep really quiet and listen to the sound this creates.

So, I'm going to play the beginning of Clare de Lune.

So, that was playing it just as it's written in the score, pianissimo for that entire section to the very end with this little crescendo de crescendo.

Now you may wonder, is that the way it's intended to be played? Well, I'm going to give you a little analogy. Just imagine you're with someone who's very dear to you and you're having a tender conversation.

Maybe it's late at night in his home when other people are sleeping and you're whispering and as you're whispering you're telling very, very important things about yourself and you're having a very personal discussion and there's some animation and there's tenderness and yes, it's all quiet but there's different levels of quiet, aren't there? Listen to this. I'm going to play it again and it's all going to be very quiet but there's going to be different levels of quiet.

So, I'm going to give you a little analogy.

So, you can hear it's all very quiet till the end when there's a rise and a fall but there's nuance of expression just as there was or would be in a tender conversation with a loved one.

You must have expression in your playing. So, the question is how many levels of soft are there? And the answer is an infinite number.

Absolutely, there's an infinite number of soft expression.

Just like dividing halfway between two points again and again and again, there's no limit on a well -regulated piano to how much expression you can bring while maintaining a pianissimo context.

I want you to all try this with your music and see how many different levels of soft you can achieve, getting the maximum expression in your music and let us know how it works here at LivingPianos.com, your online piano resource. Again, I'm Robert Estrin. Thanks for joining me.
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Comments, Questions, Requests:

Tony Finch on April 5, 2018 @8:33 pm PST
Dear Mr Estrin, The penultimate semiquavers in bars 16 and 72 of the etude op 25 no 12 appear in some editions as G and in others as F. Which is authentic? I find F easier to play!
reply
Robert Estrin - host, on April 7, 2018 @12:12 pm PST
If you are referring to the second to last notes of the measures in the right hand, the Henle Urtext edition has "G's" in both places. That is the way I have always played it.
Tony Finch on April 9, 2018 @8:39 am PST
Thank you. Some versions on YouTube have F in both cases so I was puzzled.
paul.plak * VSM MEMBER * on February 22, 2017 @1:54 pm PST
if you want to eat an elephant, you have to cut him in small pieces. Just the right approach.
Denis Gogin on June 24, 2015 @2:34 am PST
Hello, Robert,
I have a question about transitions from one octave to another in this etude , could you suggest some preparatory exercises to improve this skill?
reply
Robert - host, on June 24, 2015 @2:50 pm PST
As I show in the video, practice going to the repeated note that changes fingers in each hand without going further. Practice arriving on that note with the other fingers of the hand over the octave (and middle note). You should practice very slowly at first until you can make the change to the higher octave instantaneously.
Iretnal on August 11, 2014 @11:52 pm PST
Thank you, that was very instructive!
robertfields * VSM MEMBER * on April 14, 2013 @8:21 am PST
This was very informative
Thank you very much
henry morris * VSM MEMBER * on April 6, 2013 @6:23 am PST
thanks for this, Robert! appreciated.
J. Shaw on April 5, 2013 @6:39 am PST
Thank you. Nice to see someone else who uses the same approach in teaching. My students will have another reference.
Judith Stijnis * VSM MEMBER * on April 4, 2013 @12:52 pm PST
Thank you . It is very interesting
Ross * VSM MEMBER * on April 4, 2013 @9:32 am PST
Exquisite! Before watching your video I regarded this Etude as the Mount Everest never to be tackled by me; now it looks more like a piece that I may actually dare attempt!! Your simple explanation and analysis of the Etude makes all the difference. Thank you Robert.
BJ on April 4, 2013 @8:27 am PST
Have been playing and teaching for years and always avoided the etudes as I have small hands. However you've prompted me to get my book open and have a go. Thanks
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