Robert Estrin - piano expert

How to play the Ocean Etude Op. 25 No. 12 by Chopin

Another funny story about the first lessons with Ms. Delay

In this video, Robert shows you how to play the famous Ocean Etude by Chopin.

Released on April 3, 2013

Share this page!
Post a Comment   |   Video problems? Contact Us!
DISCLAIMER: The views and the opinions expressed in this video are those of the author and do not necessarily reflect the views of Virtual Sheet Music and its employees.

Video Transcription

In my first Juilliard lesson with Ms Delay I played this Wieniawski Polonaise... She commented and then said Billy it would go quicker if you got my bowings and fingerings; end of lesson. I came to the next 2 lessons and played it the same way and each time she said the same thing. So of course for my 4th lesson I played it exactly the same way and when I finished she asked me what I wanted from her. I said I didnít know. She asked if I wanted to bring her sonatas or quartet parts and I said no. She asked what concertos I liked and I said Bartok and she said bring me that. I left very happy, as she didnít have bowing's or fingerings for Bartok.
Post a comment, question or special request:
You may: Login  or  
Otherwise, fill the form below to post your comment:
Add your name below:


Add your email below: (to receive replies, will not be displayed or shared)


For verification purposes, please enter the word MUSIC in the field below





Comments, Questions, Requests:

Tony Finch on April 5, 2018 @8:33 pm PST
Dear Mr Estrin, The penultimate semiquavers in bars 16 and 72 of the etude op 25 no 12 appear in some editions as G and in others as F. Which is authentic? I find F easier to play!
reply
Robert Estrin - host, on April 7, 2018 @12:12 pm PST
If you are referring to the second to last notes of the measures in the right hand, the Henle Urtext edition has "G's" in both places. That is the way I have always played it.
Tony Finch on April 9, 2018 @8:39 am PST
Thank you. Some versions on YouTube have F in both cases so I was puzzled.
paul.plak * VSM MEMBER * on February 22, 2017 @1:54 pm PST
if you want to eat an elephant, you have to cut him in small pieces. Just the right approach.
Denis Gogin on June 24, 2015 @2:34 am PST
Hello, Robert,
I have a question about transitions from one octave to another in this etude , could you suggest some preparatory exercises to improve this skill?
reply
Robert - host, on June 24, 2015 @2:50 pm PST
As I show in the video, practice going to the repeated note that changes fingers in each hand without going further. Practice arriving on that note with the other fingers of the hand over the octave (and middle note). You should practice very slowly at first until you can make the change to the higher octave instantaneously.
Iretnal on August 11, 2014 @11:52 pm PST
Thank you, that was very instructive!
robertfields * VSM MEMBER * on April 14, 2013 @8:21 am PST
This was very informative
Thank you very much
henry morris * VSM MEMBER * on April 6, 2013 @6:23 am PST
thanks for this, Robert! appreciated.
J. Shaw on April 5, 2013 @6:39 am PST
Thank you. Nice to see someone else who uses the same approach in teaching. My students will have another reference.
Judith Stijnis * VSM MEMBER * on April 4, 2013 @12:52 pm PST
Thank you . It is very interesting
Ross * VSM MEMBER * on April 4, 2013 @9:32 am PST
Exquisite! Before watching your video I regarded this Etude as the Mount Everest never to be tackled by me; now it looks more like a piece that I may actually dare attempt!! Your simple explanation and analysis of the Etude makes all the difference. Thank you Robert.
BJ on April 4, 2013 @8:27 am PST
Have been playing and teaching for years and always avoided the etudes as I have small hands. However you've prompted me to get my book open and have a go. Thanks
Questions? Problems? Contact Us.
Norton Shopping Guarantee Seal